The Harrows are the illegitimate love child of Tom Waits and Mavis Staples. They were saved at the Creedence Clearwater Revival.  They farm snakes with Ray Wylie Hubbard. They inhabit the ambiguous space between late Saturday night and early Sunday morning when songs about sin turn into songs about redemption.  They buy all their clothes at truck stops.  They put the fun in funeral.

It might be blues; it might be gospel; it will be loud.